Tuesday, May 21, 2013

Monika's Art Tip - What are different styles of art



'Factory, Horta de Ebbo', 1909 (oil on canvas) Many thoughts and ideas spring to mind at the mention of the words painted art. There are many artists that catch our attention at the museums and in private collections in one's home. 

We mostly judge the painting by the looks; we find something particularly interesting about it, that catches our attention and interest. But we rarely think about the style of art, and we probably couldn't tell right away which painter uses which style. Here are three distinctive art styles, and the painters that represent them.

Let's start with Pablo Picasso, Henri Matisse and Paul Gauguin. They were Cubists. Distinctive features of Cubism are geometrical shapes that serve as a basis for the painting. The word itself comes from the fact that the predominant geometrical shape were the cubes. They believed that everything that surrounded them, be it a human being or a still nature, can be successfully depicted on the canvas through geometrical shapes.

"Flowing Hair' by Matisse and "Acrobat" by Picasso
Their goal was to deconstruct the object before them, and give it a 3-dimensional feel. Another thing is the limited range of colors that is used for painting. These colors were mostly earthly tones of yellow, brown, and gray.

All three of these painters have been influenced by the sculptures and other forms of art that were custom in Native America and Africa. They were inspired by the simplicity of forms and style of these cultures.

Next we have the abstract style. It is, in a way, a continuation of Cubism. It had preserved the idea of incorporating all geometrical shapes into the painting, oftentimes stretching and distorting the image to such an extent that the object was unrecognizable.
Abstract painters are focused on depicting what is inside their soul. Their brush strokes are short but energetic. They paint a very thin line between heaven and earth, “up” and “down”, good and bad. The movement of the brush is spontaneous, and yet there is a certain consistency to it.

http://0.tqn.com/d/arthistory/1/0/9/h/jm-aa_08_08.jpgA famous painter of abstract paintings was Jackson Pollock. His art was denied and criticized by the realists, who claimed that this style of painting was a horrible attack on art. 

He was given a nickname “Jack the Dripper”, because he never finished a painting without dripping the paint directly from the brush, while standing above the painting.


Realism is yet another famous style of art. Whereas abstract style and Cubism were focused on distorting the image, or giving it a third dimension using geometrical shapes, the realists were adamant about painting it “like it is”. 

Their goal was to portray the object in such a way that it looked real, and almost tangible on the canvas.

 We can look at the realists as a kind of journalists. They were only interested in the truth behind what they painted. They wanted to show the multiple layers of the society that they lived in. This wasn't a general rule, but most paintings that were made by realists were painted in long, gentle strokes. Red, blue, gray, black and white were the predominant colors on the paintings.

http://allart.biz/up/photos/album/M_N/Edouard_Manet/edouard_manet_1_the_luncheon_on_the_grass.jpgThe famous realist painter was Gustave Coubert, who believed that a painter must stick to his own experience as a basis of his work, in order to portray it realistically. 

However, Edouard Manet shocked the realists with his painting called The Luncheon on the Grass. Although the details were realistic, the whole concept of a naked woman sitting on the grass with two fully clothed gentlemen was thought to be scandalous at the time.

Wednesday, May 15, 2013

Monika's Art Tip - Why A Painting Feels Better Than a Photograph

There is something special about any piece of painting on a canvas. Something that makes it more beautiful than a photograph, when you put them side by side. Of course, a beautiful photograph of your family, favorite pet or a scenery is always a great thing to have at home, but it can hardly match the power that comes from the painting. Here are three reasons why.

We all know what cameras are for, both digital and manual. We use them to capture a moment; to freeze it in time. By doing that, we know that the moment will remain perfect no matter what. Still, no matter how beautiful that photograph is, you'll probably feel that it's static. Frozen.

On the other hand, the painting gives a feeling of a natural flow. If you look at a painting of a river, and compare it to a photo of that same river, you can immediately notice the difference. Brush strokes in various pressures, lengths and thicknesses give us a more realistic representation of a river that flows. It looks alive and warm. Your eyes easily follow the direction of the river.

Another reason why a painting feels better than a photograph is the soul of the object that is being captured. It doesn't matter if you're looking at a painting that was done decades ago, or quite recently, because the effect that they give is the same. You feel the presence of that person in the room, because the softness of the face and the wrinkles on the dress look real. The essence and gentleness of the person is evident in every brush stroke.

The final reason is the rich variety of color palette that is used while painting on the canvas. Camera lens have a limited source of light even if all the parameters are set appropriately, and even though the weather outside is bright and sunny, it can never truly capture all the nuances of colors from the object of our interest. Painting, however, consists of various tones of the same color, and they make a strong impact on the overall work when combined just the way we want to.

That said, let's not forget that by changing the painting technique, such as switching from acrylic to oil paints, the painting will look new, different and, above all, alive each and every single time you paint it. That is the beauty of it.

And to give you a visual example of the point of this article, here is the same place painted by hand and taken as a photograph. Both of these belong to Monika Dickson.







Friday, May 10, 2013

Monika's Art Tip - Why Buy From A New Artist?

Gustav Klimt, Vincent Van Gogh, Leonardo DaVinci, Paul Cezanne, Rembrandt Van Rijn, Claude Monet, Paul Gauguin, Edouard Manet...these are only some of the most famous and beloved painters throughout the world and history. It is almost unfair not to continue naming all the others, but in that case the list of painters that influenced generations and generations of new painters would be a very long one. A very, very long one.

Each of these painters have had their different views of the world around them, and each of them have chosen their technique to transfer their thoughts and emotions onto the canvas. These emotions that they embedded on the canvas were, and still are, the reason that keeps attracting people to museums and art galleries.
Each of us, by walking through the gallery and looking at the paintings, draw our own conclusions from their art. A very few lucky ones own a few original paintings in their private collections, where they get to admire the beauty of the artist's work day in and day out. Of course, the worth of these paintings is enormous, and only very rich ones can afford it.

But we often forget that there are equally interesting and high-quality paintings all over the world, that are much more affordable. These paintings come from new artists who, also, devote the majority of their daily life to create something so beautiful and meaningful.

There are three good reasons why you should turn to new artists. Let's take Monika Dickson as an example. She is not well known, at least compared to Matisse or the Group of Seven, but here is why you should definitely decide to buy her art.
First, the cost is very affordable when you can get an original painting for a fraction of the price of the Masters. Second, the value of her work will increase as time goes on.
Thirdly, she paints beautiful custom artwork, which you can buy for yourself or as a gift to your loved ones. Her one-of-a-kind paintings on your living room wall will, most definitely, bring you years and years of joy.



Wednesday, May 8, 2013

Monika's Art Tip - Hanging Height for a Painting

If you're at all like me when it comes to paintings and framed photo art, you want to present its beauty to all your friends and family, and for your own pleasure. You want to make it a star of your home. Indeed, there is no greater asset for your home as the painting that speaks to you on an emotional level.

However, before you nail the painting on the wall, take some time and inspect the room in which you want to place it. The reason I'm saying this is because it isn't the best idea to place it just anywhere, especially if there is furniture involved. When you're hanging the painting, you want it to send a certain message, and it is worth choosing the location carefully.

There is a slight difference between hanging small paintings, regardless if they're framed or not, to that of hanging large paintings, and we'll cover them both in a minute, but first let's look at the important rule that concerns choosing the right hanging height for the painting.

You always want to make sure that you don't hang your painting too high up on the wall, in a way that it's closer to the ceiling than the middle of the wall. The proper measure is 52 inches (132 cm) from the floor. Anything above that makes our eyes look at the gap between the furniture and the painting, so the painting itself won't get as much attention as we wanted.

As far as small paintings go, don't place them on large walls because they will 'drown' in it and thus fail to make an impact. Likewise, when you hang a large painting on a narrow wall, the width of the painting can cover up the width of a wall, and it will look like the painting is out of place.

Whichever size of the painting that you choose, cover all of your options. If you're still not sure about the height but you don't have a tape measure, aim for the level of your eyes, or a few inches above that. You want to feel comfortable looking at it whether you're sitting down or standing right in front of it.

Question: how do you decide which picture goes on which wall? Do you go with your gut instinct or do you plan and try until you find the location that fits best?

Monday, May 6, 2013

My new Guest Blogger

You may have already noticed that I have posted some Art Tip articles here on my blog.  These articles have been wonderfully written for me by guest blogger Dee Drin.  She will be helping me to get out some more Art Tips for you to enjoy.  Whether you are a blossoming artist, or a collector of beautiful, enriching paintings, we welcome your feedback and participation.  Thank you for checking out this website and if you are interested in any specific art or have questions, please feel free to contact me any time.  Thanks again to Dee Drin, she is a wonderful, creative writer!!

Monika's Art Tip - Stretching a canvas

Take a moment and imagine a painting canvas, stretched and prepared to be decorated with paint. What is your initial reaction? My guess is that a question popped into your head, and that question was: how on Earth do you do that? I'll tell you right now: it's not hard at all. In fact, it's pretty easy once you get the hang of it, and it usually takes no more than ten minutes, if not less than that. There are only three things you need to have, to stretch your own canvas.

First of all, you need a canvas fabric. It depends on your personal preferences and the requirements for your work, but canvases are mostly made from linen or cotton. Generally, there are two types of canvas, duck-woven and plain-woven. The difference is that duck-woven canvas consists of thicker woven threads, as opposed to plain-woven canvas, so you might want to take that into consideration when choosing the fabric.

Once you have decided on the fabric, it's time to look at the quantities that you'll need to buy for your canvas. The size of the canvas depends on the canvas frame. The most important thing here to remember is that the fabric should cover a little over the edge of the frame.

So far, you have both the fabric and the frame, and the last thing you need is a hand-guided stapler gun. Now comes the assembly. If you've measured your frame before buying the canvas, you've probably added a few inches for the fabric. Now, place the frame in the middle of the fabric, making sure that all sides of the fabric cover the frame equally.

Begin with the first side of the frame. Cover it with the fabric and tug it tightly. Staple it in the middle, to secure that it won't move, and that it stays nicely stretched.  Move along both sides of the stretched fabric, about every inch, until you reach the end of that side of the frame.

Next, staple the opposite side starting in the middle and working evenly outwards.
Continue on the remaining sides of the frame. Once that's done, you'll notice excess fabric in the corners that may remind you of 'bunny ears'. All you need to do is gather these sides together and pull them to one side and staple them down. Repeat that on three other sides and turn the frame over.


And there's your stretched canvas.  Now it is ready for coating with Gesso, and then start painting.

Fun fact: did you know that the canvas in Greece, in the olden days, was made of hemp? 

And now, questions for you: have you ever tried to stretch the canvas? Have you had difficulties while doing it? Are there any additional suggestions and tips that you would give regarding the canvas stretching?

Friday, May 3, 2013

Monika's Art Tip - Brushes


There is nothing more satisfactory than seeing a product made by your own hand. In this case, the painting that has a meaning to you. However, to produce and maintain a high quality of your art, make sure you follow a few important rules, and one of them is taking a good care of your paint brushes. While they differ in sizes and shapes, here are some general advices that you should make a notice of, in order to keep the quality of your brushes intact.

Advice no.1
If you're working with color mediums that have a high toxicity level, which could damage your skin in any way, it would be best to use gloves while cleaning the brushes.

Advice no.2
Always separate the brushes if you're painting with different color mediums, such as water-based and oil mediums. This is important because the process of removing the paint from the brushes are different.

If you're using oil paint, it is imperative that you wash your brushes with oil or turpentine, or the mixture of both. Make sure that it's not too hot, because that will damage the bristles.
However, if you're using water-based or acrylic colour mediums, mild or cool water temperature should do the trick and cause less staining of the bristles.
 
While you're cleaning the bristles, be very gentle while washing the paint off. As various types of brushes have different quality, some bristles might hold the paint in, or slightly change color, but it won't affect the future painting in any way as long as you clean them thoroughly and correctly.

Advice no.3
Let your brushes dry in comfortably warm conditions. It would be best to position a paintbrush so that the bristles are evenly dried, thus preventing them to become distorted.

Next time we'll have a look at how to stretch and prepare a canvas. And here are a few questions for you: 
What is your method of washing brushes? Have you experienced problems with certain color remover mediums? Are there any particular tips that you would love to see covered here?

Wednesday, April 24, 2013

Spring has arrived at Bare Oaks

I'm not so sure if there is such a thing as Global Warming here in Ontario.  It has been a long, cold winter since last Thanksgiving and even as I post this, it is snowing today (Apr. 24th!)  Enough of the snow already!
This morning I took my little Yorkie out for a walk, and here are the lovely, woodland views around the park.  Soon, there will be many people out enjoying naturism, and hopefully, a lot of sunshine!




Bare Oaks Family Naturist Park, Ontario, Canada


Thursday, April 4, 2013

Rock Climb-by Monika Dickson, fine artist

Finished this painting, look for the person having a fantastic time climbing to the top of this rock.  What a great view awaits at the top.  Success is never easy, but the climb can have great rewards.  Have a great day!


Rhino painted rock

Here is a little rock that I painted for my cousin.  He is a powerful soccer player!


Monday, March 18, 2013

Abstract with movement

Here is a new abstract painted with acrylics on a bevelled canvas.  I will be calling it "Seeds of Life".


Sunday, February 17, 2013

Yorkshire Terrier by Monika

Here is an acrylic painting of Kiwi, the Yorkie at 2 and 3/4 years old.  She is such a wonderful pet and brings her daddy and I lots of love and joy.
 

Tuesday, February 12, 2013